Corpus Christi Business CPA AlternativeCPA Corpus ChristiPhotographs and who made them
The pictures on this site are real places on the Texas coast and the work itself, each used once. This page names the photographer and the license so a reader can see where a frame came from.
Harbor, bay, and island
The home opens on a short silent clip of the quarter closing, and then on photographs of the bay in Corpus Christi. A crane lifting a module at the Port of Corpus Christi, photographed by Jay Phagan of Taft under CC BY 2.0, sits with the tile about who keeps the quarter. The walk up to the USS Lexington, Museum on the Bay, is by Leonard J. DeFrancisci under CC BY-SA 4.0. It sits with the tile about setup, statements, and the return, and it is not the same frame as the Lexington pictures on the later pages. The Art Museum of South Texas in 1984, the white building with people on the plaza and no lettering on the wall, is by Jay Phagan under CC BY 2.0 and sits with the Buc Days tile. North Beach, seen from the bay bridge toward the gulf and the Regency Inn, is by Ted Gresham under CC BY 2.0. The older Harbor Bridge arch, the one the new span replaced, is by Jim Evans under CC BY-SA 4.0. The Texas State Aquarium beside the USS Lexington, seen from the bay bridge, is by Ted Gresham under CC BY 2.0 and sits with the questions tile. On a wide screen the opening card also carries two shorebirds at Packery Channel, photographed by capt_tain Tom under CC BY 2.0. That frame is a different download from every other beach picture on the site.
The calm downtown marina and the mast line are two different frames by Ted Gresham, each under CC BY 2.0. One opens the page about who keeps the quarter. The other opens the page about the property you still hold. They are not crops of a single download. The sorting page shows the industrial plant on Nueces Bay in Corpus Christi at dusk, a public-domain photograph by Carol M. Highsmith for the Library of Congress, towers lit and no lettering on the tanks.
The ship and the museum ship
The freighter under the arch is a 2003 public-domain photograph by Robert Wyman. It illustrates the filing-dates page because the date does not move when a hull does. The sales tax page opens on Cayo del Oso, the shallow creek flats that empty into Corpus Christi Bay, a public-domain photograph by William B. Folsom for NOAA. The hull seen from the water is by Jim Evans under CC BY-SA 4.0 and sits with the questions. The book page opens on Oso Bay under the gray of a tropical storm, a public-domain photograph by IrishSurfer21, cropped to the horizon and the water. An earlier wide view of the aquarium and the carrier from the bridge, and a side view of the arch with those same two subjects beyond it, are not served. One bridge view of the aquarium and the carrier remains, on the home, and it is not repeated. Each frame that is still on a page is used once.
Wikimedia Commons pages for these files are linked from the source list kept with the build. The port, the art museum, North Beach, the arch, the Lexington gate, the aquarium beside the carrier, the Nueces Bay plant, Packery Channel, Cayo del Oso, and Oso Bay are credited above, and each file is a different download. We did not add words or numerals on top of any photograph. A pelican on a piling, a 1910s office, an 1891 invoice, a museum sign cropped to a fragment, a generic beach, and a printed calendar full of dates were on an earlier version and are not served now.
What we left out
A notebook on brown leather, a fishing boat with a hull number, a crane photo with a road sign, and a marina photo with a for-sale board were downloaded and then not used. Foreign harbors that a loose search returned were deleted. A photograph of another Texas city was not used as a stand-in for the bay in Corpus Christi. A rig-yard frame already served on another site was left unused. A downtown skyline with a traffic cone in the foreground was downloaded and not used, because the towers were the subject. A 1936 aerial of the port was not used either. The art museum, the bridge, the aquarium, and the working port are the places a person in Corpus Christi would recognize.
The small portrait of Steven Palmieri is a brand photograph already published for this practice. It appears once, on the page about who keeps the quarter. The mark under the proof line is the same wordmark used in the form, shown whole, not cropped.